Closing
the Door Against the Morning
sometimes bookmarks are anything
we can set
between the page, nail clippers, a hot cup of coffee,
a clicked
open pen, set quick when a door blows slowly closed,
closed, and
creaks the way every haunt but one would want it to,
and getting up
from here means losing
my place, even though
i’ve saved it,
and pulling the mostly shut door all the more shut, because
on the other
side my son’s asleep, and his window’s open a bit,
and he wakes
easy and too early. and behind the next door i close,
because the boy’s
pulls against the frame with slick silence,
my little girl, who woke
three hours ago
to pee, and it’s hers that talks back a bit, hers i turn
the knob to,
and i think there’s a certain luxury in the trust of
a closed door
when i’m not the one behind it—because i sleep
with mine open,
when i sleep, always have
and think too of
the three i’d known of fires we’d had in our old
house and all four
of those bedroom doors gaped open and the absolute
slap my mother
swung into fire safety’s face as a whole upstairs choked
with
smoke. i’ve never been in a house
that’s safely burning.
have you? feel the door, the pull away hot and suddenly
all the drama
of shattering the
glass with a sheet-covered fist, the sweep of all the jagged edges
and what’s gone
through the cotton will be picked out later, all the way
up the arm and
to the top of the little finger—
see
how far a noise
goes? see how far back getting up to a closed door
at 3:30 in the morning
can take a hand
opening a book, reading one piece in it, but not,
and going back—through
all that smoke—to touch a door that creaks—
it’s cold—go on—it’s
cold—open it.
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