…Ink has it’s
own creature life, one drop a sudden
artery.
Marianne
Boruch
“Chinese
Brushwork”
Some days I don’t
take it down
at all, only
note it the way most things
are noted, a
passing by, a surface
registering, a
shift against the rhythm
of depth, preventing it from sinking.
Maybe it’s
because I’m on a kick
of resisting cliché,
how quickly a habit
becomes that,
like noting
the time of day
at the exact same
time every day
and mark it as coincidence
but not at all
routine, a track
worn and worn like
a road into
the woods where
feet trample, trample
in utter
visibility and safety. It makes me
wonder about
cowardice,
how a man
suffers the training
from birth to
battlefield and the nerve
is cut and he
crawls away from it all,
heart open
beneath his fatigues, so that
when he’s
found, after the bombs
and bullets
stop, they’ll see the hole,
they’ll wonder
how he got this far
and if someone
carried him and see
the snake of a
trail his body made
and write the
casual-
ty in, an
almost bored redundancy
before moving
to the next and the next
the flip of
their legal notes thick with it.
Because they
weren’t there they didn’t see
and couldn’t
imagine the complete shock
slow motion
puts on a body, so that a bullet
can seem like a
bird who flew down
from a tree
when the soldier was a boy
and sat and ate
the seeds from the palm
of his
hand. I would have noticed
this. Wouldn’t I?
Even if it happened
every day? I’d hide and stop breathing
while the finch or cardinal dropped down.
I’d wait…it
would bore into me and root
like no other
thing could
simply because
it was on the verge
of flying off,
and, in leaving, open
wide, gush
after gush, mine, his, red, red
capillary
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