Seeing
From Far
Dedicated
to Mary Jordan
There
are good things in this world.
It
is dusk.
It
is the good darkness
of
a women’s hands that touch loaves.
The
spirit of a tree begins to move.
James Wright
Maybe
because it’s been unsensable
in
other years, but this year it seems
the
white oak was waiting
to
open her canopy. Each leaf,
curled
like a fiddlehead, curtsied
to
itself, shy regent of our lawn. It paused,
a
taut line beneath a bobber
of
Hairstreak chrysalises, as though
by
the thousands caterpillars hatched
on
the twigs when we weren’t looking.
In
stasis they shouldered the whole
bruising
winter, deeper into spring
than
all the other trees that went
to
leaf and snowed their last
white
or pink or lilac snow.
Through it I’ve watched
the
day-moon rise through her bare
arms
all winter long, thinking
how
simply we lay our faith
down
on the ground beneath such a tree
and
wait
for
the earth or the sky or the wind to say now
it’s
okay now
to push out against
the
hundred hundred knuckles that squeeze
everything
in, that fire, eventually
a slow explosion into the very doubt
that
makes us want to cut it
all
down. Listen: who, without such oaks
can
bear a landscape of twisted limbs
and
blue pocked-with-winter sky? Without
a
little conviction of the unfolding
canopy?
Do
you ever feel like you’ve been eaves-
dropping
on a timid spring?
That
you’re divining for the all
chrysalises
we stand to clap for
once
they look up, down at an acorn scattered
ground
and begin the long flight
into
the green leaves after all that snow?
Oak,
you can see from far.
You
have taught us to plumb the way
you
plumb: light inside the shell, light inside
the
kernel, light inside
the
effervescent root.
I
think you are what we all wait for:
A
someone to lean into us
to dig and fix a seed.
Later
you’ll return to watch us open
our
leafy hands, broad and warm,
the
way you taught us, listening
the
way you taught us,
sheltering
us from the cold crusts
of
winter, drying us in the sun
to
push us gently
into
the cool shade
of an ever-afterwards.
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