During a Total Lunar Eclipse
It’s happening right at this very moment—
something stunable, a succession that occurs
so rarely I bet festivals are planned
around it. I bet
there is a woman
dancing nude beneath it, in its copper
dust, its umber making everything
look like blood.
But it’s cloudy here.
It's heavy, and the wind is gusting
enough that the deck chairs are tipped
over and skitting across the boards like the dry
oak leaves I raked out of the corner
of the fence. (There
isn’t an oak in sight
of me, only maples. I
wonder how
they arrived.)
Now I keep going out near the wind
to look up for some thin tear in the continuous
pall, some hem of light showing
beneath the skirt, something sexy enough
to penetrate just by it being there, unknown,
like a tower in the middle of the woods
where this time it’s not pulling
up to get in, it’s pulling down, pulling away
at the foundation one rock at a time, piling
each handled stone at the edge
of the clearing like cordwood, like something
saved for a different day, until there’s a hole
broad enough in the old tower for one
head and shoulder, going under to look up
at no floors, no ceiling at all, just circular wall
leading up to sky amplified.
And a break
in those clouds, and the moon
what I’ve come all this way to see,
wearing the nude woman’s red shawl,
shyly dressing with what had been laid
away on the draft, then snagged on a limb
of wind, fixed briefly, on the new tower.
Old stones, new rise.
It’s slow until it’s over.
Until what’s in front
collapses. Until it
finally reveals what’s been
behind it all along: that woman, swaying still,
holding her shawl again, stained, o, with moon.
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