How to Cry
Eyelids then
are cellar doors
and the anterior
of skulls, the sockets,
are bone walls
of a bulkhead
long ago closed, padlock
a copper
rust. That frame
and sill’s in
every course of rot
and absence,
but with some dim
tremor and
shaky hand
we're made to crack open
the door
and listen to
the most clichéd
haunted scrape, made to step into
a dusty spider
web’s fog,
and part the waters.
Because we always
lived in
an old house we knew
our cellar
hole was dug
by hand one
hundred
and twenty
years before I was
born. For some reason
there was a
cement, waist high wall
on the north
side and the one
bulb in the
room that spewed
a squat wattage
made the canned
carrots
and wax beans
look like little
headless and
armless sentries,
dolls all orange
all torso in yellow
all torso in yellow
or green
bib-overalls. With
a little
imagination their rusty
lids could be
that slack lack after a five day drunk,
the stubble
gone thick
as my mother’s
cold pudding
afternoon words.
It was in that old
vegetable dark,
with voices
above us in the kitchen,
the crash of
glasses, the buzz
of crude
laughter, that Carrie told me
her father had
shot his girlfriend
and that she
was sure he’d go to jail
even though he’d
blacked out
and couldn’t
remember a thing. She was sure
she and her
brother and sister
would have to
move closer to
where the
prison was—and she cried
because she
loved her grandmother
who would be
left behind
in a house
older than the one
we crouched
beneath, older than this dirt
cellar's rank
of last fall’s potatoes
whose sprouts
were eyes seeing
in the dark,
feeling for the light, sprouts
she and I
rubbed off and let fall
at our feet
like we were barbers.
Today I’d say I
would know her
face anywhere—all
these thirty plus years
of passed water
since we went
into the dark
to get supper
while over our
heads coffee brandy
and gallons of
milk went down
smoother than tea,
smoother than news about moving
away, or why, smoother than one
eye closing a second
before the
other one because some lash,
some dust (I'd swear) was
stuck to my eye and she,
when we were in
the light again, showed me
how to pull my
top lid over my bottom lid
hold it hold it
with a pinch,
enough to make
me cry,
enough to float
it all out so that it would lie
exhumed on the
cheek, brushed away
before the door closed completely behind us
and she saw more
than that splinter or
dust or hair.
and she saw more
than that splinter or
dust or hair.
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