Friday, April 25, 2014

To the Girl Who Taught Me How to Cry



To the Girl Who Taught Me
How to Cry


Eyelids then are cellar doors
and the anterior of skulls, the sockets,
are bone walls of a bulkhead
long ago closed, padlock
a copper rust.  That frame
and sill’s in every course of rot
and absence, but with some dim
tremor and shaky hand
we're made to crack open the door
and listen to the most clichéd
haunted scrape, made to step into
a dusty spider web’s fog,
and part the waters.

Because we always lived in
an old house we knew
our cellar hole was dug
by hand one hundred
and twenty years before I was
born.  For some reason
there was a cement, waist high wall
on the north side and the one
bulb in the room that spewed
a squat wattage
made the canned carrots
and wax beans look like little
headless and armless sentries,
dolls all orange 
all torso in yellow
or green bib-overalls.  With
a little imagination their rusty
lids could be that slack lack after a five day drunk,
the stubble gone thick
as my mother’s cold pudding
afternoon words.

It was in that old vegetable dark,
with voices above us in the kitchen,
the crash of glasses, the buzz
of crude laughter, that Carrie told me
her father had shot his girlfriend
and that she was sure he’d go to jail
even though he’d blacked out
and couldn’t remember a thing.  She was sure
she and her brother and sister
would have to move closer to
where the prison was—and she cried
because she loved her grandmother
who would be left behind
in a house older than the one
we crouched beneath, older than this dirt
cellar's rank of last fall’s potatoes
whose sprouts were eyes seeing
in the dark, feeling for the light, sprouts
she and I rubbed off and let fall
at our feet like we were barbers.

Today I’d say I would know her
face anywhere—all these thirty plus years
of passed water since we went
into the dark to get supper
while over our heads coffee brandy
and gallons of milk went down
smoother than tea, smoother than news about moving
away, or why, smoother than one eye closing a second
before the other one because some lash,
some dust (I'd swear) was stuck to my eye and she,
when we were in the light again, showed me
how to pull my top lid over my bottom lid
hold it hold it with a pinch,
enough to make me cry,
enough to float it all out so that it would lie
exhumed on the cheek, brushed away
before the door closed completely behind us
and she saw more
than that splinter or
dust or hair.

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