Now, high overhead, tiny
figures
begin to rappel down the
rare
filaments of imagination,
along fibers
of the optic nerve and down
into the hippocampus,
into the landscape of days.
Brian Turner
“From the West” : MY LIFE
AS A FOREIGN COUNTRY
Hospital
hallways are veins are sharp upper
cuts
left right swing shut with the hush that hush
you
know that hush that pad against the boot
against
the shock on the chin the shock
of
the dead nestled finally in their head
in the
cavity left behind dry as any aged tree
rot
dry as tongues long without water long
without
words. Walking them is really crawling
them
even though two feet and not two knees
hit
the maintenance police linoleum a wax
mirror
a cloud a mirror a cloud those thousands
of
feet/knees and its God on call and that shock
on
the lip when the first concussion bomb
detonates
and look: who’s lifted with that initial
wave
lifted the way water lifts when what’s plunged
into
it remembers it has air the whole way down—
and
maybe there’s no bottom at all no bottom
but
those currents of atmosphere we never can
consider
not being from that depth, not at least
until
we’re riding them and pushing them and making
love
to them after a long time of not making love
after
a long time of simple naught, of those nerves
jazzed
hall ways and nights and knights with their sponge
swords
swabbing the walls that concussion man
I
felt it in my feet I felt that mother fucker all the way
and
it’s a pretty thing a real pretty thing like scalp
skin
on the charcoal mountain meaning snow meaning
the
iv drip’s pulled meaning in the days to come
the
hospital (listen, it’s doable) is row on
harrowed row
slow and a stone bench and some thrown
water
and you can visit any time day or night rain
or
shine and nothing I mean nothing will ever crush you
like
this bomb this pin-pull again.
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