The Day After the Fall
…like a serpent down her shoulder, dark,…
Hart
Crane
It’s the day after
that’s worse
than the fall
itself. Those moments
and minutes of phftttttt! wait wait then up
come on, and at ‘em I’m fine before they begin
their creeping
descent beneath
the skin, in
the muscle that,
for its own survival-second
allowed the
bounce, became a virtual balloon, all bone
and nerve
huddled under the cowl
of it. And then: —the flight
to the guard
the vital neck and spine
is really
its retreat
so that into
the length
of the second
day what rises is something other
than the blue
bruise
(but oh so stunning a blue, a wattle
of righteous blue, like when the Tom’s
whole face, snood too, is a held
breath
I’ll have my way with you blue…
but before all that he spooks
and spurs, gets ruffled out
of the yard because the weight
and pluck of staying is the scald
of hot water, every saturated plume
a loose stone, not the way, if this
isn’t going
too far,
Eve’s staying was her first swallow
held, when it was in her
throat, when, still clutching the
fruit, she offered it
out, not to her mate, but to the serpent
herself, who, blue and less nervous,
let loose the branch
and twirled inside Eve’s thigh, so
when the whole
body came (for days and days later) into
its final
weight she’d, they’d both be,
not too meekly, not too heavy, sure
of every
beauty
Aside from that
what has to rise is the body itself.
After impact it's not
an ache,really, it's
negotiating new space, the skin prickling
every time it senses (even if every
surface is flat) going down.
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