And the sea flint-flakes, black-backed in the regular
blow,
Sitting Eastnortheast, in cursed quarter, the wind;
Wiry and white-firey and whirlwind-
swiveled snow
Spins to the
widow-making unchilding unfathering deeps.
(13)The
Wreck of the Deuchland
Gerard
Manley Hopkins
It’s different, it must be, to see at sea the soft
(yet mosttimes not) long drift (or sometimes not)
of flake on flake on flake, and the way
it accumulates on the deck, the way it’s
absolutely
swallowed by the salt-rimmed lips of each low
or high slope wave meeting the dip of the ship: utterly There.
And then. Not.
And then. Not.
How, now, seeing the pocked sky and the inch
high
white on the coats of the crew, they in black
boiled wool
coats, pounding the bow to crack the weight of the ice,
how they disappear in the wind and snow
how they disappear in the wind and snow
in their slow clearing of the deck so that they’re
in
and out, like the ship in the wind, of the frame: visible absent
visible absent visible
Or they’re a lighthouse beam, whose straight out
from shore eye
creates the perfect aperture - hole: closure : hole : closure - a code
of what cliff you’re about to break apart run aground
on…
but oh if my brother could be here he loved snow he just dug
and tunneled and flung into it when he…
and the pitch shifts and the snow, what drifts
past him, his
turn whacking at the deck, what falls into the dark
drink, is gone
all gone, as gone as all the boys that day all eight boys
when the eye when the sky when it all
everything (after
they died) was snow-falling quiet.
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